Photography Evaluation Write Up No.3

Key Photograph No. 3

Section 1: Contact Sheet

My initial plan was to include this photograph in my poster by it never looked right so I decided to scrap it. Originally the eye was going to be on the centre right box of the 9 square grid but again that didn't look right so I centred it.




Section 2: Original Photograph

This photograph was chosen because the eye is centred and looking towards the camera instead of looking to the left or right, which some of the pictures show.











Section 3: Photoshop Edited Photograph

On this photograph I adjusted the brightness, curves, colour balance and made it black and whit to give this tanned / greyscale eye. The adjustments give the photo more of a professional look.






Section 4: Framed Edited Photograph

I think this photograph is a beautiful piece as the resolution has stayed the same through the editing process and the iris of the eye really stands out. The lighting also gives off a professional look as the flash shows the shadow of the eyelashes.

Photography Evaluation Write Up No.2

Key Photograph No. 2

Section 1: Contact Sheet

This photograph was going to end up on the poster and being two more members of the cast. I chose to have the two in the centre of the frame because as they are part of the main cast. it would work well to have them in the centre rather than the left or right.



Section 2: Original Photograph

The reasons I chose this picture is because it shows the personality of the charcters so for example with Harvey (left), this shows that he's the 'laddish' type where as with Jon (right), this shows that he's more of a serious character.












Section 3: Photoshop Edited Photograph

I adjusted the brightness to a lower level, as well as the colour balance and the curves, which adjusts brightness also. I cropped the photograph so there wasn't much black background and made the two people take up the photo.







Section 4: Framed Edited Photograph

I am very pleased with the outcome of this photograph as the resolution stayed the same throughout to give a better quality and the lighting is just right and shows enough. The editing gave the original photo a bolder look.

Section 5: Poster / DVD Box

This photo contributes to the success of the poster because it includes the rest of the main cast which is the elements needed in a traditional film poster. It shows the personality of each character also.

Photography Evaluation Write Up No. 1

Key Photograph No. 1

Section 1: Contact Sheet




These photographs were going to be part of a poster for
another unit of work. I decide to have the photograph taken mid-shot as there would be less to crop and the photo would look better in quality.

Section 2: Original Photograph

It worked out best because both faces were okay, they were both looking at the camera and with serious looks.











Section 3: Photoshopped Photograph

I adjusted the brightness to a lower level, as well as the colour balance and the curves, which adjusts brightness also. I cropped the photograph so there wasn't much black background and made the two people take up the photo.

Section 4: Framed Edited Photograph

I am very pleased with the outcome of this photograph as the resolution stayed the same throughout to give a better quality and the lighting is just right and shows enough. The editing gave the original photo a bolder look.

Section 5: Poster / DVD Box

The photograph contributes to the success of the poster as it is a photograph which reveals half of the cast which means it has people which is one of the main poster elements. Posters without the cast members on are usually teaser posters.

LO1 - Blog Post 3 - Photographer Case Study 2 - Henri Cartier-Breeson

Henri Cartier-Bresson

Cartier-Bresson was a French photographer and the oldest of 5 children. Earlier on in life he tried to be a musician but unfortunately for him that was not possible so he became interested in oil paintings and took lessons from his uncle but his uncle died in World War I and so his lessons were no more. He was a painter but then in the 1930's he turned to photography. He was inspired by Martin Mankacsi and the photograph was titled Three Boys at Lake Tanganyika. He friended two other photographers and the three shared a studio in the early 1930's.

Cartier-Bresson used a 35 mm Leica rangefinder and wrapped black tape around the cameras chrome body to make it less conspicuous. He never photographed with a flash either as he thought it was impolite. He mostly did black and white photos and the ones he did in colour seemed to be unsuccessful.

Name: Gare Saint Lazare
Date: 1932
Location: Paris, France
This photograph is very well put together as the photographer
has managed to take the photo while the model is moving, making
it a rare photograph for the 1930's

















Name: Not Available
Date: 1933
Location: Valencia
The photograph looks like that there is a man being seen
from a mirror and he is watching a possible escapee of
a prison.


Name: Alpes Maritime
Date: 1944
Location: France
The photograph seems like it has something to do with
 personality, it looks like maybethe bird represent his
 many personalities.



Sources: http://www.magnumphotos.com/C.aspx?VP3=CMS3&VF=MAGO31_10_VForm&ERID=24KL53ZMYN

LO1 - Blog Post 2 - Photographer Case Study 1 - Gregory Crewdson

Gregory Crewdson
Gregory Crewdson studied at John Dewey High School, however he graduated early. He also studied at Yale University. He has taught at Sarah Lawrence, Cooper Union, Vassar College and Yale University where he has stayed since 1993. In 2012 he was the main attraction in a documentary about himself called Gregory Crewdson: Brief Encounters. 

Crewdson's visual style varies but his main style is taken place in small-town America which are both dramatic and cinematic.They mostly contain such things as disturbing and unreal events.The photos are usually staged and lighten up by crews that are used to working on productions.

Untitled (1)
'Sanctuary'
2009
Framed: 28 1/2 x 35 1/4 in. (72.4 x 89.5 cm)
Pigmented inkjet print

In this image you can see that it is looking through a doorway with no objects or people in sight which leaves alot to the imagination which is also why a lot of Crewdson's photographs are untitled.



Gregory Crewdson
Untitled from the series 'Beneath the Roses'
2004
Digital chromogenic print
Width 2236 mm x height 1148 mm

This photograph is different to the one above. This has more colour which could mean that it's a happier time/setting. It also looks like it's set in the 1950's which is possibly one of Crewdson's favourite time periods.









Gregory Crewdson
Untitled from the series 'Beneath the Roses'
2004
Digital chromogenic print
Width 2236 mm x 1148 mm

This photograph looks similar to the one above which suggests that Crewdson does like the retro 50's theme. The sky looks like its turning to dusk which gives a feeling of shops closing and people going home.








Sources: https://www.gagosian.com/artists/gregory-crewdson

LO1 - Blog Post 1 - Narrative Photography

Narrative photography is an idea saying that photographs can be used to tell a story. Staged photography started early in history and has been carried out ever since. Staged photography involves a performance in front of the camera and it encourages studio portraiture and scenarios performed by characters directed or manipulated by the director. An example of this is the photograph below, the first ever staged photograph.                                      

Photograph Name: Self Portrait as a Drowned Man  
Photographer: Hippolyte Bayard
Date: 1840
Size: (550 × 538 pixels, file size: 293 KB, MIME type: image/jpeg)

This photo shows a depressing scene, showing that a man has pretended to commit suicide which gives off a negative atmosphere and could put viewers in a bad way.